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Worldwide Manager:
cathy nelson
artists and projects

Assistant Manager:
Sally Donegani

Laurent Pelly, Opera Director

 

Without doubt one of France's most brilliant opera and theatre directors. In addition to a stream of hits in Paris, Lyon and other French cities, Laurent Pelly is in constant demand throughout the world, and enjoys international success with productions in London, New York, Santa Fe, Vienna, Brussels, Amsterdam, Barcelona and Berlin.

 

Laurent Pelly is represented worldwide by Van Walsum Management in association with cathy nelson artists and projects.

 

"For the second time this year, the Royal Opera has hit the jackpot with a Donizetti comedy. Back in January, it was the Italian composer’s zany French farce La Fille du régiment. The production was the work of the Frenchman Laurent Pelly and his regular set designer, Chantal Thomas, who now, with near perfect symmetry and even greater success, return to stage Donizetti’s comic masterpiece, his charming melodramma giocoso L’elisir d’amore. This time round, Pelly, who also designed the costumes, and Thomas deserve the lion’s share of the credit, since this is a production bereft of its promised superstar.'

Sunday Times - Donizetti's L’elisir d’amore, Royal Opera House

 

 

'Drop them all [the entire cast] into a production from Laurent Pelly that needs no special pleading on comedic grounds, and is by turns elegant, witty, and laugh-out-loud funny, and you've one of the happiest nights the Royal Opera has fielded since I don't know when.'

The Independent - Donizetti's La Fille du Régiment, Royal Opera House

 


Buy Laurent Pelly's latest DVD of Prokofiev's The Love for Three Oranges
(Costumes and Stage Direction by Pelly).

'Prokofiev's enchantingly surreal commedia dell'arte masterwork is turned into a spectacular triumph of total theatre in this vital production from the Amsterdam Muziektheater.' Opus Arte

 

Laurent Pelly's highly praised production of Rameau's Platée for the Opéra National de Paris is available on DVD.

'It's a terrific show, bursting with wit, style and distanced objectivity'. Opera Magazine